We seem to have won this production largely because of the mature film industry infrastructure that NZ has built on the back of those previously subsidized productions.
The fall of Islamic State gives fresh relevance to John Wayne’s classic Western
The Batman finale, plus Alyx Duncan and Dan Salmon
Patrick Keiller’s films about his faux intellectual, Robinson. Also : Aki Kaurismaki’s Le Havre
Pedro Almodovar’s fresh take on the Hitchcock classic about sex, obsession and second chances
The films of Terrence Malick, from Badlands to Tree of Life
Bela Tarr’s The Turin Horse, and the controversy about slow cinema