Beyond The Pixie Dream Girl
Silver Linings Playbook, Liberal Arts and the universal love for Jennifer Lawrence
by Gordon Campbell| May 1, 2013 |
ISSUE 39 earlier editions: 38| 37| 36| 35| 34| 33| 32| 31| 30| 29| 28| 27| 26| 25| 24| 23| 22| 21| 20| 19| .. more >> Next Issue 5th June, 2013 |
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Beyond The Pixie Dream GirlSilver Linings Playbook, Liberal Arts and the universal love for Jennifer Lawrence by Gordon Campbell |
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Go To ChinaThe best (and worst) films of 2012 by Philip Matthews |
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Acting Under OrdersDoes John Key know the conditions facing Kiwi workers within US film and TV productions here? by Gordon Campbell |
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Punishment ParkFive attractive teenagers, a remote cabin in the woods … What could possibly go wrong? by Philip Matthews |
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Dark Knight of the SoulThe Batman finale, plus Alyx Duncan and Dan Salmon by Philip Matthews |
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Milestone Movies: Out of the Past (1947) and Martha Marcy May Marlene (2011)The past may be a far country, but we still live in it by Gordon Campbell |
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Old Blighty Goes Down For The CountPatrick Keiller’s films about his faux intellectual, Robinson. Also : Aki Kaurismaki’s Le Havre by Philip Matthews |
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Hello Madness, My Old FriendThe films Mental Notes, A Dangerous Method and Spider tackle mental illness in very different ways by Philip Matthews |
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Webs of MayaUnderground film-maker Maya Deren still casts a spell by Gordon Campbell |
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What Would Katniss Do?The Hunger Games heroine is a sign that women are adapting better to today’s economic realities…. by Gordon Campbell |
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Pedro Does VertigoPedro Almodovar’s fresh take on the Hitchcock classic about sex, obsession and second chances by Philip Matthews |
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Nature’s BoyThe films of Terrence Malick, from Badlands to Tree of Life by Philip Matthews |
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Life As A Death SentenceThe understated horror of Never Let Me Go by Philip Matthews |
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Touching the VoidIn Melancholia Lars von Trier hives off serenely into the cosmos by Philip Matthews |
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Milestone Movies : Cave of Forgotten Dreams ( 2010)This time, Werner Herzog’s process of turning obsession into art begins with art by Brannavan Gnanalingham |
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Why The Long Face ?Bela Tarr’s The Turin Horse, and the controversy about slow cinema by Philip Matthews |
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Taxi Driver at 35In the 1970s, New York (and Martin Scorsese) were a lot sleazier and scarier… by Philip Matthews |
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Milestone Movies : Nanook of the North (1922)The birth of documentaries as real life fictions… by Brannavan Gnanalingam |
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Milestone Movies : The Silent House (2010)Horror, in one 79 minute long take by Brannavan Gnanalingham |
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Milestone Movies : The Killer Inside Me (2010) and Coup de Torchon (1981)Film violence against women, via the ‘dimestore’ novelist Jim Thompson by Brannavan Gnanalingham |
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Milestone Movies : Black Swan (2010)In giving your life to art, the dying is the easy part by Brannavan Gnanalingham |
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Treasury Enters, Stage RightTreasury, not trade unions, poses the biggest threat to film industry jobs by Gordon Campbell |
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Milestone Movies : The Searchers (1956)John Wayne, antihero by Gordon Campbell |
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Milestone Movies : The Best of 2010Art – and reality are always a construct by Brannavan Gnanalingham |
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Milestone Movies : Daisies (1966)Freedom’s just another word for making fun of everything by Brannavan Gnanalingham |
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Milestone Movies : Deep Throat (1972)From Linda Lovelace to Julia Roberts – its not such a long way, baby by Brannavan Gnanlingham |
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Milestone Movies : A City of Sadness (1989) A Brighter Summer Day ( 1991)A colonised Taiwan finds a sense of national identity through its own great film-makers by Brannavan Gnanalingham |
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Milestone Movies : Do The Right Thing (1989)Spike Lee’s critics fade to black by Brannavan Gnanalingham |
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I Saw SawOne intrepid writer watches the six Saw movies one after the other, so that you won’t have to by James Robinson |
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Milestone Movies: Birth of a Nation (1915)Should the racism in Birth of a Nation disqualify it from being considered as great art? by Brannavan Gnanalingam |