* * * * * WEREWOLF ISSUE 47, April 2014 * * * * *


How come Iran is creating so many great modern films ?	Should we be feeling sorry for the super-rich ?	Will women miss out on the high-paying jobs in the Christchurch rebuild ?

	Lest We Remember As millions of dollars are spent on World War I and the Anzacs, the 150th anniversary of the wars at home are getting short shrift by Alison McCulloch
	Anzac Day : Identity Politics, With Guns There’s a void in our sense of nationalism, and Anzac Day is how we choose to fill it by Anne Russell
	Trading In Stereotypes In the Christchurch rebuild, will women miss out on most of the high-paying jobs? by Gordon Campbell
	Out Of The Past In films like A Separation and The Past, Asghar Farhadi has become Iran’s most celebrated cultural export. There’s a price. by Gordon Campbell
	Scotland On The Brink Are the wheels falling off the Better Together campaign against Scottish independence? by Gerry Hassan
	Sympathy For The One Per Cent The uber-rich have problems, too by Gordon Campbell
	Berkeley : Surviving the 21st Century A personal view of Frederick Wiseman’s documentary At Berkeley by Rosalea Barker
	From The Hood : Fol-De-Royal Werewolf wasn’t paying close attention to the royal tour but we thought we’d have a go at the whole coverage thing anyway. by Lyndon Hood
	Aspirational Television West Wing And The Lost Political Dream by Benjamin Neikrie
	Travelling Light : In the Borderlands of Putin’s Empire Where In The World Is Chisinau, Moldova? by Rosalea Barker
	The Complicatist : Jackson C. Frank, Mark Kozelek The love songs of the middle-aged mope by Gordon Campbell
	* * * * * WEREWOLF ISSUE 46, March 2014 * * * * * The March 2014 Edition of Werewolf by Werewolf