* * * * * WEREWOLF ISSUE 47, April 2014 * * * * *


How come Iran is creating so many great modern films ?

Should we be feeling sorry for the super-rich ?

Will women miss out on the high-paying jobs in the Christchurch rebuild ?

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Lest We Remember

As millions of dollars are spent on World War I and the Anzacs, the 150th anniversary of the wars at home are getting short shrift

by Alison McCulloch

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Anzac Day : Identity Politics, With Guns

There’s a void in our sense of nationalism, and Anzac Day is how we choose to fill it

by Anne Russell

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Trading In Stereotypes

In the Christchurch rebuild, will women miss out on most of the high-paying jobs?

by Gordon Campbell

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Out Of The Past

In films like A Separation and The Past, Asghar Farhadi has become Iran’s most celebrated cultural export. There’s a price.

by Gordon Campbell

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Scotland On The Brink

Are the wheels falling off the Better Together campaign against Scottish independence?

by Gerry Hassan

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Sympathy For The One Per Cent

The uber-rich have problems, too

by Gordon Campbell

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Berkeley : Surviving the 21st Century

A personal view of Frederick Wiseman’s documentary At Berkeley

by Rosalea Barker

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From The Hood : Fol-De-Royal

Werewolf wasn’t paying close attention to the royal tour but we thought we’d have a go at the whole coverage thing anyway.

by Lyndon Hood

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Aspirational Television

West Wing And The Lost Political Dream

by Benjamin Neikrie

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Travelling Light : In the Borderlands of Putin’s Empire

Where In The World Is Chisinau, Moldova?

by Rosalea Barker

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The Complicatist : Jackson C. Frank, Mark Kozelek

The love songs of the middle-aged mope

by Gordon Campbell

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* * * * * WEREWOLF ISSUE 46, March 2014 * * * * *

The March 2014 Edition of Werewolf

by Werewolf